翻訳と辞書
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・ Symphony No. 5 (Ries)
・ Symphony No. 5 (Schnittke)
・ Symphony No. 5 (Schubert)
・ Symphony No. 5 (Sessions)
・ Symphony No. 5 (Shostakovich)
・ Symphony No. 5 (Sibelius)
・ Symphony No. 5 (Simpson)
・ Symphony No. 5 (Tchaikovsky)
・ Symphony No. 5 (Vaughan Williams)
・ Symphony No. 5 in B-flat
・ Symphony No. 5 in D major
・ Symphony No. 5, "Kunstkammer"
・ Symphony No. 50
・ Symphony No. 50 (Haydn)
・ Symphony No. 50 (Hovhaness)
Symphony No. 3 (Schnittke)
・ Symphony No. 3 (Schubert)
・ Symphony No. 3 (Schuman)
・ Symphony No. 3 (Schumann)
・ Symphony No. 3 (Scriabin)
・ Symphony No. 3 (Sessions)
・ Symphony No. 3 (Shostakovich)
・ Symphony No. 3 (Sibelius)
・ Symphony No. 3 (Simpson)
・ Symphony No. 3 (Szymanowski)
・ Symphony No. 3 (Tchaikovsky)
・ Symphony No. 3 (Tippett)
・ Symphony No. 3 (Toch)
・ Symphony No. 3 (Ustvolskaya)
・ Symphony No. 3 in C minor


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Symphony No. 3 (Schnittke) : ウィキペディア英語版
Symphony No. 3 (Schnittke)
The Third Symphony by Alfred Schnittke was his fourth composition in the symphonic form, completed in 1981.
Like its predecessor, it is in four movements: an opening ''Moderato'', followed by an ''Allegro'', a long movement marked ''Allego pesante'', with the briefer finale marked ''Adagio''. At around 50 minutes, it is Schnittke's third longest symphony, after the First and Second symphonies.
It shares an intensity similar to the First Symphony, but unlike that work has a more traditional form, and contains no direct quotations. Nonetheless, the influence of many composers hangs over the piece (Richard Taruskin called the opening of the work "Wagner's ''Rheingold'' prelude, cubed and cubed again."〔Taruskin, Richard (1997) ''Defining Russia Musically'' Princeton: Princeton University Press, p. 102〕), not merely stylistically but in Schnittke's repeated use of composers' initials. These include Bach, Handel, Mozart, Schoenberg, Stockhausen and Hans Werner Henze. Further use is made of transposed words later in the work: in the third movement the word "das Böse" ("the Evil") appears as an eight-note tone row (D, A, E flat, A flat, B flat, E, E flat, E), with the B-A-C-H monogram dominating the final movement.〔Ivashkin, Alexander (2009) Liner notes to BIS complete symphony cycle, BIS-CD-1767-68〕
The work was premiered in Leipzig on 5 November 1981, with Kurt Masur conducting the Leipzig Gewandhausorchester in Schnittke's presence. It was first recorded in 1984 by Gennadi Rozhdestvensky with the USSR Ministry of Culture Symphony Orchestra. A further recording appeared in the 1990s with the Royal Stockholm Philharmonic Orchestra under Eri Klas.
==References==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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